About Me
Hi! My name is Slava, but in the world of photography and cosplay, I’m better known as Fox Photography.
My journey in photography began in 2012, when I first started thinking about how this art form works.
But everything truly changed in 2020 — that’s when photography stopped being just a hobby and became a real passion for me.
With every shot, I learned to see more: to capture emotions, convey movement, and preserve unique moments.
Today, I specialize in stage photography and work with major cosplay festivals, capturing vibrant performances, stunning costumes, and unforgettable emotions of the participants.
For me, it’s not just about taking pictures — it’s about telling a story. A story that will continue to inspire and bring joy even years later.
My Photography Journey
2016–2017: The First Steps
In 2016, I first learned about cosplay festivals. In 2017, I went to Epic Con as a regular visitor — without a camera, but full of curiosity.
The stage performances impressed me so much that I became passionate about capturing those moments.
2018: First Shots
In 2018, I borrowed an old Nikon D3100 from a friend and took my first photos.
It was a humble beginning, but it was then that I realized: this is the path I want to pursue.
2019: My Own Gear and First Experiments
In 2019, I bought my first camera — a Canon 550D — and visited Epic Con again.
Back then, I barely published any photos (just a few shots on Instagram), but each photo helped me learn and grow.
2020: First Accreditation and… a Disaster
In 2020, I got my first official photographer accreditation for Epic Con.
Unfortunately, during the festival, my memory card broke, and all the photos were lost.
It was a tough lesson, but it didn’t stop me.
2021: Breaking the Rules and Upgrading My Gear
In 2021, I applied for accreditation again, despite not having a portfolio from the previous year.
I was accepted, but with a condition: I was only allowed to shoot reportage and booths, not the stage.
However, my passion for stage performances won out — I broke the rules and photographed what I truly loved.
That same year, I made a major upgrade by switching to a Fujifilm X-T4, which became a turning point in the quality of my work.
2022: Recognition and a New Level
It turned out that my “disobedience” in 2021 paid off: the organizers of Epic Con liked my photos so much that in 2022 they hired me as a full-time stage photographer.
That year was a breakthrough: I actively shot at Starcon, Anikon, MAF, and other festivals, honing my craft and building my name in the community.
2023–2024: Working with Major Events
Since 2022, I’ve continued working with Epic Con. In 2024, I was accredited for RED EXPO for the first time and also attended VK Fest, expanding my professional horizons.
2025: New Goals
I am now preparing for new challenges: my plans include photographing at IgroMir and Comic Con Astana and continuing to grow in the field of stage photography.
My Approach to Photography
My approach to photography is not just about taking pictures — it’s conscious creativity.
— Knowledge of the Source Material: My Key Advantage
I constantly study anime, games, movies, and comics to stay aware of which characters are currently popular.
— I keep up with cosplay scene trends and know which performances are likely to be the most spectacular.
When I am familiar with a character’s universe, I can:
- Anticipate the climactic moments of a performance;
- Pre-adjust my camera settings for the specifics of the act;
- Take the perfect position to capture the most impactful angles.
— Strict Selection: Only the Best Moments
From 50–70 photos of each participant, I keep only 5–10.
Without compromise, I reject photos where:
- The facial expression doesn’t reflect the character’s personality;
- The costume looks imperfect (e.g., loose parts or messy folds);
- The pose or movement appears unnatural.
— Careful Post-Processing: The Final Touch
Every selected photo goes through individual post-processing:
- Fine-tuning of colors and lighting;
- Emphasizing key costume elements;
- Preserving the dynamics and emotions of the moment.
Thanks to this approach, my works are not just event documentation —
they are vivid visual stories that truly convey the atmosphere of the performance and the essence of the character.